Introduction This is the second post in our series devoted to the sound design of effects for sci-fi games and animations, all procedurally, all
Read More
Introduction This is the second post in our series devoted to the sound design of effects for sci-fi games and animations, all procedurally, all
Read MoreIntroduction This is the first in a series of four posts that will look at the design of sound effects for sci-fi games and
Read MoreThis year’s round of GANTalks featured some of the finest talents in the game audio community. Thanks to the ongoing planning and orchestration on
Read MoreFor the past 10 years, most racing games have been using granular synthesis to simulate engine sounds. Some members of the team at Tsugi
Read More1. Creative and fun to use 2. Super productive 3. Infinite sound palette 4. Extendable platform 5. Increased audio interactivity 6. Ultra-low memory footprint
Read MoreWe are thrilled to announce the release of GameSynth 2019.1. This version is packed with new features and improvements that will make your work
Read MoreThis post describes the Procedural Audio Sketch Pad, one of the many innovations included in GameSynth that make it such a fun and productive
Read MoreAre you a student or teacher interested in sound design or game development? We have some great news for you! You will find out
Read MoreGameSynth includes several procedural audio models covering a large range of sounds for game and movie production. In this post, we give a closer
Read MoreThe Tsugi team is back from CEDEC in Yokohama, Japan after what has been an incredible 3-day game conference! Thank you to all our
Read MoreCopyright © Tsugi GK. All rights reserved.