Whether you are developing a AAA action game or a retro pixel art shooter, the weapon sounds are of primordial importance as they give
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Category: GameSynth
Watery Ambiences
In this post, we will examine creating some watery ambiences with a collection of wet modular patches. Of course, GameSynth has a dedicated Weather
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Japanese Horror Soundscape
Horror is a popular genre of games, especially here in Japan. This is the type of games I develop, mainly using RPG Maker. It
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Old-Style Elevator
In games and anime, we often introduce new and original machines such as spaceships and robots, which offer a lot of potential for creative
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Patch Anatomy #8 – Debris
Although GameSynth is often showcased creating deliberate sounds, it’s equally capable of creating exciting experimental sounds. In this patch anatomy, we will investigate using
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Patch Anatomy #7 – Water Swish
Synthesizing water can be tricky. It’s neither particularly noisy, nor is it incredibly harmonic. Fortunately, GameSynth has several modules available for designing convincingly watery
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Patch Anatomy #6 – Creaky Hinge
The sound of hinges and floorboards creaking in media is often tied to a visible, interactive event (such as opening a door). This interaction
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Patch Anatomy #5 – Charged Shot
One of the great strengths of following a procedural approach to sound design is the potential for creating interrelated control. Any individual signal can
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Patch Anatomy #4 – Impacts!
In this Patch Anatomy, we are going to look at creating a dynamically performable impact SFX generator. By using the velocity of a Meta
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Introducing New Physical Modules
The final part of our introduction to the new modules in GameSynth 2020.1 brings with it Impact, Fracture, and Flag. These modules make use
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