The Patch Repositoy of GameSynth is the largest collection of procedural audio models for games and animations. It is a great way to quickly
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Author: tsugi-blog
GameSynth 2021.1 Released!
We are thrilled to announce the release of GameSynth 2021.1! This new version bridges the gap between procedural audio and more traditional sound design,
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Global Game Jam 2021
This year’s Global Game Jam is almost upon us! Although strictly online due to the ongoing challenges that we are all facing, there is
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Shooting Sequence
Whether you are developing a AAA action game or a retro pixel art shooter, the weapon sounds are of primordial importance as they give
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Watery Ambiences
In this post, we will examine creating some watery ambiences with a collection of wet modular patches. Of course, GameSynth has a dedicated Weather
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Japanese Horror Soundscape
Horror is a popular genre of games, especially here in Japan. This is the type of games I develop, mainly using RPG Maker. It
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Old-Style Elevator
In games and anime, we often introduce new and original machines such as spaceships and robots, which offer a lot of potential for creative
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Black Friday – Cyber Monday Sale!
It is finally the time for Tsugi’s once-a-year, half-price sale! Until December 6th, all of our sound design tools and audio workflow solutions are
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Patch Anatomy #8 – Debris
Although GameSynth is often showcased creating deliberate sounds, it’s equally capable of creating exciting experimental sounds. In this patch anatomy, we will investigate using
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Patch Anatomy #7 – Water Swish
Synthesizing water can be tricky. It’s neither particularly noisy, nor is it incredibly harmonic. Fortunately, GameSynth has several modules available for designing convincingly watery
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